Sam Smith - Leave Your Lover (Motez Remix)
A new Sam Smith remix, which comes courtesy of Australian-based producer Motez and hits all the right spots. The perfect House/Bassline crossover sound, with some stunning vocal chops - big rework...
A new Sam Smith remix, which comes courtesy of Australian-based producer Motez and hits all the right spots. The perfect House/Bassline crossover sound, with some stunning vocal chops - big rework...
Forthcomng on MTA Records, here is the new one from production duo GotSome, which features Grime legend Wiley. An outrageous bassline and a fun track that will no doubt be ripping up the clubs this year. Out February 1st.
Kry Wolf have added some extra weught to an already incredible release, with a bubbling remix of the infectious 'Climbin' (Piano Weapon)' by Shadow Child and Doorly. One of those tracks that just doesn't want to go away...
After creating this monsterous VIP for the Dirtybird BBQ's earlier in the year, Justin Martin is now giving it away for free to say thank you for the love and support. The original was a stunning release, and this is a lovely alternative for 2014.
Mak & Pasteman are back with the third release on their newly formed label, Materials. A crunchy anologue bassline, intense hi-hats and thumping drums, 'Bald' will drop on December 1st - look out for it.
Shiba San is back with a hot remix of one of Deadmau5's most iconic tracks, 'I Remember'. The original holds a special place in my heart, but this is a nice little rework for the 2014 crowds - groovin' bassline.
A heavy bassline and intense percussion, it's Low Steppa's remix of the new Oliver Heldens single, which features upcoming singer/songwriter KStewart on vocal duties. Much prefer this to the original - pre-order HERE.
Included on the Annie Mac Presents 2014 album released just yesterday and already given it's official radio premiere by the lady herself last week, Hannah Wants & Chris Lorenzo collaborate again on monster new house cut "Rhymes". Expect to be hearing this a lot over the coming few weeks, something tells me this might just be the track that sees Bass music crossover into the mainstream.